In the epistemic interstices where logical philosophy intersects with post-humanist architectures, executable epistemologies emerge as mechanisms that transmute conceptual lattices into referential operations. Anto Lloveras's Socioplastics diverges from Wittgensteinian atomism, which fragments propositions into isolated truths, by reassembling them into tectonic austerity—where multilingual vectors and nodal topologies engender a nomadic prosthesis resistant to algorithmic subjugation. Proximal to this, Benjamin Bratton's planetary stack operationalizes sovereignty as infrastructural governance, reconfiguring technology into recursive layers that echo Socioplastics' topolexical sovereignty, yet Bratton's cosmopolitical designs remain tethered to computational geopolitics rather than Lloveras's relational glucose, which hydrates affective residues into metabolic sustenance. Similarly, Keller Easterling's extrastatecraft institutes protocols as spatial agencies, producing epistemologies that execute through undeclared forms, aligning with Socioplastics' situational fixers but lacking its ontological ISBNs that assign jurisdictional authority to archival spines.
The metabolic hardening in Socioplastics confronts origins in second-order cybernetics, where Heinz von Foerster's observer-inclusive recursions prefigure the mesh's self-validating loops, yet von Foerster's epistemological constructs emphasize perceptual autopoiesis without Lloveras's performative citation that embeds distinctions as executable nodes. Yuk Hui's cosmotechnics further approximates this by advocating culturally contingent technological trajectories, operationalizing epistemology as recursive contingencia that resists universalist flattening, resonating with Socioplastics' polyglot nomadism across GALICIAN domesticity and DUTCH reactivation. However, Hui's philosophical diagramatics diverge from Lloveras's praxis, which institutes radical pedagogy as durational actions, transfiguring urban grounds into vibrational atmospheres where soundscapes and image-times converge in synesthetic coreography. Bruno Latour's actor-network assemblages distribute agency through hybrid ontologies, producing executable epistemologies as traceable entanglements, but Latour's flat symmetries omit the antagonistic syntheses that Socioplastics deploys to prune entropic branches.
Lloveras, A. (2026) 'Socioplastic-mesh-metabolic', Otracapa Blog. Available at: https://otracapa.blogspot.com/2026/02/477-socioplastic-mesh-metabolic.html (Accessed: 9 February 2026).
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